Alicia Previn (also known as Lovely Previn ) is an American violinist, songwriter, recording artist and author. She is the daughter of André Previn KBE , the conductor of the Houston, Pittsburgh, and London Symphony Orchestras and the Royal Philharmonic Orchestra, and American jazz singer Betty Bennett .
Previn began playing the violin at 7-years-old and was classically trained at the Royal Academy of Music in London by Virginia Majewski and Joan Rotchford-Davies. [1] [2] She experimented with other music genres such as rock, folk, blues and jazz, performing in bands from age thirteen. [3] In high school, she joined the London Symphony Orchestra Chorus, conducted by her father at the Royal Albert and Festival Halls. [4]
Previn recorded, performed and toured with a variety of bands and artists in diverse musical genres, playing across the globe on singles and CDs. She was also a member of the Irish rock group In Tua Nua as well as The Young Dubliners. She appeared on television in the U.S. and internationally in music TV shows, commercials, videos and MTV music videos. She also performed on Jay Leno's Tonight Show in 1993 with "The Cages" [5] with British talk-show host Des O'Connor . Previn was nominated at the San Diego Music Awards in 2013 [6] as best female musician with now disbanded group "Folding Mr. Lincoln".
Her recording career includes Polydor Records' artist, Philip D'Arrow, Atlantic Records' artist Andy Leek, London Records' artists The Hothouse Flowers, Virgin Records' band In Tua Nua, Dave King's band Flogging Molly (formerly Fastway) and Katmandu, Irish rock band Finn MacCool, New Red Archives Records' Ten Bright Spikes, Red Planet Records' The Bumpin' Uglies, Virgin Records' Cracker with David Lowery, JVC Records' Great White and Jack Russell, Capitol Records' Richard Thompson, and with Barry McGuire and Terry Talbot, as well as English bands such as General Public, The Communards, Barry Blue/Julian Littman Productions, and The Flying Pickets. She also leads her own band in the UK and released "Shatterproof" in 1982.
In August 2017 Previn was the subject of a cover story in the California-based publication, The San Diego Troubadour. [7]
Title: The Scientist's Dub Mixing: Fusing Violin and Boundless Sounds
Introduction:
Dub music, with its deep bass lines, reverberating echoes, and the creation of space through audio manipulation, has always mesmerized music lovers. When it comes to pushing the boundaries of this genre, few artists match the ingenuity and creativity of The Scientist. Renowned for his mastery in dub mixing, The Scientist has an exceptional ability to incorporate an astonishing range of sounds and instruments, including the captivating violin. Let's dive into the world of The Scientist's dub mixing prowess and explore how the violin becomes a mesmerizing ingredient in his sonic concoctions.
A Sonic Palette of Boundless Possibilities:
The Scientist's dub mixes are famed for their unique sonic landscapes, creating a tapestry of sounds that transcend traditional dub music. By incorporating a wide variety of instruments, including the expressive and emotionally charged violin, The Scientist adds a brilliant melodic element to his compositions.
The Violin's Emotional Resonance:
The violin is renowned for its ability to evoke intense emotions, ranging from melancholy and yearning to ecstasy and euphoria. The Scientist harnesses the instrument's inherent versatility, blending it seamlessly with dub's deep bass lines and rhythmic patterns. By doing so, he instills his mixes with a newfound depth, taking listeners on an unforgettable sonic journey that transcends traditional dub boundaries.
Creating Bold and Unexpected Fusions:
The Scientist's mastery lies not only in his ability to incorporate diverse sounds and instruments but also in his talent for creating unexpected fusions. He fearlessly combines the violin's rich tonality with dub's signature heavy bass vibrations, creating a synergy that is both breathtaking and unexpected. The violin's soaring melodies glide atop thunderous basslines, resulting in an ethereal experience where two diverse sonic worlds collide.
Enhancing Mood and Atmosphere:
The incorporation of violins into The Scientist's dub mixes goes beyond adding melodious elements. It also elevates the mood and atmosphere of his compositions, creating a sense of otherworldly beauty. By juxtaposing delicate violin phrases with the deep reverberation of basslines and the interplay of echoes, The Scientist forms emotional responses that leave listeners in awe.
Breaking Genre Barriers:
The Scientist's innovative approach to dub mixing, including the integration of the violin, pushes the boundaries of traditional genre classifications. His compositions become an amalgamation of sonic elements that defy easy categorization. By incorporating the violin's classical heritage and bridging it with the experimental nature of dub, The Scientist creates an entirely new auditory experience – one that captivates listeners across genres.
Conclusion:
The Scientist's dub mixing skills are not limited to basslines and echoes but extend to the incorporation of a wide variety of sounds and instruments, such as the violin. By blending dub's characteristic elements with the emotional resonance of the violin, he expands the horizons of this genre and creates immersive soundscapes that leave audiences awestruck. The Scientist's unique ability to combine diverse musical worlds showcases his exceptional talent as a producer and his dedication to pushing the boundaries of what dub music can achieve.