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Scientist the dubmaster

About Scientist the dubmaster

Biography

Hopeton Brown better known as The Scientist and sometimes known as Overton Brown, from Kingston, Jamaica was a protégé of King Tubby (Osbourne Ruddock), one of the originators of dub music. The Scientist burst onto the reggae scene in the early ’70s with a reckless mixing style that seemed to outdo even King Tubby’s wildest extravaganzas. He began his career as an engineer at Tubby’s in the mid 70’s shortly afterwards, he gained a reputation with a distinctive mixing style.

He left King Tubby's studio at the end of the 70’s and became the principal engineer for Channel One Studio, giving him the chance to record live music  rather than the four tracks at Tubby's that was only for mixing and voice over . He came to prominence in the early 1980s and produced many albums, his mixes featuring on many releases in the first part of the decade. In particular, he was the favorite engineer of Henry "Junjo" Lawes, for whom he mixed several albums featuring the Roots Radics, many based on tracks by Barrington Levy.  He also did a lot of work for Linval Thompson and Jah Thomas.[1] In 1982 he left Channel One to work at Tuff Gong studio and  brought a new sound to Tuff Gong  .

He made a series of albums in the early 1980s, released on Greensleeves Records with titles themed around Scientist's fictional achievements in fighting Space Invaders, Pac-Men, and Vampires, and winning the World Cup.  The music on these albums was played by Roots Radics, his most frequent collaborators.

Five of his songs from the album The Scientist Rids the World of the Evil Curse of the Vampires were used as the playlist songs on the K-Jah radio station in the 2001 video game Grand Theft Auto 3.

“In the ’70s, I started building sound system audio amplifiers. I would then test the amplifier with test instruments to determine how the amplifier was performing. Everything would look normal, but when I played reggae music through the amplifier, it would over heat and the plates of the KT88 would run red, especially when I played a mix from the great King Tubby’s that had subsonic drum and bass frequencies as well as razor sharp high frequencies I would have to re -bias the KT88 and make other changes in order to accommodate reggae’s wide frequency response and high slew rate needs. I noticed when I played other types of music the amplifier would respond normal. I found that to be strange so I used King Tubby’s mixes as a platform to ensure that the amplifiers would not break down under extreme conditions.

I was fascinated by his exclusive style of mixing and unique sound effects. It was the “Roots of Dub” dub album produced by Bunny Lee that became my favorite test album and also inspired me to want to meet him. One day, I was repairing a television for a friend who had worked for King Tubby’s, we needed a transformer and King Tubby’s was the only place who had those particular types of transformers I was so excited to meet this brilliant man and considered myself very lucky to have had this opportunity. After that, it became a regular place for me to buy special made power and output transformers for the amplifiers that I was building. King Tubby’s became impressed with my electronic skills and abilities at such a young age. I told him I wanted to build a mixing console, at first, it sounded like a joke to him we joked about making mixing consoles with moving faders and automation. Years later it became a reality in Neve’s moving faders and SSL’s automation with total recall.”

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@dubmaster • 6 years ago

[jrEmbed module="jrAudio" id="8910"]

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@dubmaster • 6 years ago

you'll get a lightning bolt





"you wasn't there jammys" . . . "you never mix none of them tracks there" . . . "is I mix everything" . . . "you know-seh you're lying" . . . "you gonna do me something?" . . . "who wan' rob a dead man?" . . . " greensleeves a 'rob a dead man' thing" . . . *

///

the scientist saga continues...

exhibit A and B: "jammy's lies"


backstory via the west indian times :
West Indian Times Exclusive!!

Dub Engineer ‘The Scientist’ Fears For His Life As He And Record Label/Producer Jah Life Receive Death Threat From King Jammys Henchman

On Saturday, March 25th, 2006 West Indian Times was alerted by veteran artists and producers in the Reggae industry to the existence of 2 separate recordings of conversations which included death threats towards Dub Engineer Hopeton Overton ‘The Scientist’ Browne and Producer/Label owner Hyman ‘Jah life’ Wright as well as admission of perjury in a US court by King Jammys. One of the recordings is a conversation between King Jammys (a record label/producer based in Jamaica) and Dub Engineer Scientist who is based in America and the other recording is of a conversation between The Scientist and a man who stated that King Jammys was his boss.

After listening to the recordings West Indian Times spoke to Browne and Jah Life to find out what led to the death threats. We were given history that spanned over 30 years in the music industry; history, secrets, facts that only a few are privy to. For now, we will share with you our readers the information we were given as to what directly led up to the death threats against Scientist and Jah Life.

In 2003 The Scientist filed a law suit in the United States Federal Court against Greensleeves record label (based in England) and the company RockStar the makers of the game ‘Grand Theft Auto’ for copyright infringement. The Scientist had challenged Greensleeves for the recording and composition copyrights of five tracks which they used on the video game, Grand Theft Auto 3. The music was originally from one of The Scientist's albums that was released in the 80's entitiled 'Scientist Rids The World Of The Evil Vampires.' The Scientist’s music was included in the violent video game without his knowledge or consent. Greensleeves had made a deal with RockStar for the company to use the music by The Scientist and when Greensleeves was asked by RockStar if they had the rights to the music they said they did. Greensleeves indemnified Rockstar meaning they would be responsible for any costs incurred if there was a claim by any person stating that they had rights to the music.

In the US court Greensleeves had to produce the documents that were signed with RockStar for Grand Theft Auto, they had to produce the shipping bill and all the information regarding pressing. Greensleeves also produced a document which was alleged to have been signed by a producer and marketing rep who represented both Jah Life (US) and The Scientist (Jamaica) overseas. This producer/marketing rep. was Henry ‘Junju’ Lawes. The document was signed in approximately 1978 and showed where Greensleeves paid Junju for music. They also produced a second document which was allegedly signed by Lawes around 1994 before he died. The second document signed by Lawes basically gave ownership and copyright of music by over 30 artists to Greensleeves. However, nowhere on the contract did it mention an amount that was paid for the copyright ownership. There was also a question in court as to the validity of the documents signed by Junju Lawes as he was illiterate and Greensleeves knew this, in fact both Jah Life and Scientist say that Greensleeves would not work with them, only through Jun Ju as they could get away with fooling him as he could not read or write. Scientist and Jah Life claim that this is why Junju was named as producer on over 30 + albums that he took to Greensleeves instead of them. Also, it was noted that both contracts had identical signatures, no deviation and even had the same smudge marks as though the second signature was cut and paste from the first contract.

King Jammys Testifies For Greensleeves

Since there were doubts as to the validity of the contract signed by Junju, Greensleeves had Producer / Record Label owner King Jammys travel from Jamaica to America to testify in court on behalf of Greensleeves and against The Scientist. In court King Jammys testified that The Scientist was a young boy of 14/15 years old and did not have the experience to engineer the music that he says he did. He also said that he, King Jammys was the boss and foreman at King Tubbys studio in Kingston where the work was produced and when The Scientist did any work it was on a ‘work for hire’ basis, you got paid for your work one time and you owned no copyright. The Scientist says this is not true and although he was very young, King Tubby trusted him implicitly to open up and lock up the studio as well as engineer the music. Unfortunately King Tubby is deceased and unable to verify this. However, Jah Life verified that what The Scientist said is true. Jah Life states that at no time was Jammys in the studio with them, it was only The Scientist, Jah Life and Junju’s brother ‘Melon.’

Another artist, veteran DJ Lady Ann also spoke to West Indian Times saying that she was there in the studios most of the time with The Scientist and that he was the best mixing engineer of those times. Lady Ann said that King Tubby’s studio was the worst place in Kingston, she said you had to pass gunmen who would ask if you are PNP or JLP in order for you to get past and you had to answer ‘Musician’. Lady Ann said that Jammys (who was Prince Jammys at the time) would not go to the studio because it was too dangerous and she knew that Jammys was envious of The Scientist because of the trust and faith that King Tubbys put into Scientist. Lady Ann says she too is fighting for her royalties so that her children are set before she leaves this earth.

Why Did King Jammys Lie?

According to The Scientist, King Jammys along with Lynval Thompson are the only people who records show are paid by Greensleeves. Lynval Thompson is also a record producer. It is in King Jammys best interest to see that Greensleeves stays viable so he can channel his music through England. The Scientist is now a big threat and hindrance to Greensleeves and King Jammys because although the US Federal Judge and Grand Jury believed King Jammys story that Scientist was too young to have so much power and skills at that young age, and he had been paid ‘work for hire’ the company RockStar settled with him out of court and paid him for his works. They obviously believed Scientist.

Greensleeves Responsible Party

Although they did not have to pay The Scientist and give him the copyright to his music, Greensleeves was responsible for the huge bill that had been mounting up over a three year period. The expensive lawyer fees for themselves and RockStar and all monies paid out was their responsibility.

Greensleeves recently sold their company.

The Scientist now has a lawsuit pending in France against Greensleeves, and his lawyer Andre R. Bertrand is engaging in actions to obtain the payment of the legal remunerations due and payable to the Jamaican artists and musicians, including Jah Life and The Scientist, who were not compensated for their work.

In France, the courts want to see an actual contract showing ownership they do not recognize the concept of work for hire. This will put Greensleeves in a serious situation because if they lose in court, they could face fines of up to 180,000 Euros per violation and a violation does not mean an album but a track. Not only that, but it would set a precedence for others to follow and be compensated for their work.

The Death Threats

Calls were made to The Scientist on Sunday, March 19th 2006 and he recorded them.

Listen to them. They can be heard at:
http://www.dubmusic.com/jammyslies

jamroomadmin
 
@dubmaster • 6 years ago • comments: 0
Created a new Playlist:
Dub Rock
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